Shows/Events

The inscription on an inner waistband proved to be an order number, not a maker's signature.

A tailor's mark that took time to read

Two pieces are never hung — they lie flat, in storage and in the exhibition alike.

How to store cloth that is shedding

One exhibit is shown open — not because of damage, but because of the mannequin's size.

The corset that does not close

The collection shows not separate garments but how the line changed — from shoulder to hem.

Silhouette of an Era: historical costume from Roksolana...

Three movements are shown open — so that they can be heard running.

Why one side of the collection is shown without glass

On one exhibit the strap belongs to another, earlier watch — and the label says so.

A strap older than the watch

An enamel dial with hairline cracks is not washed — only dusted with air.

How to clean a dial you must not touch

One movement in the collection is never wound — and the collector explains why.

The watch stopped on purpose

The collection traces the move from pocket to wrist — and how the case itself changed because of it.

Mechanics of Time: pocket and wrist watches from Vira...

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Pattern-making and Cut — Ostap Nytkin

From measurements to patterns: the base every garment stands on.

👤Ostap Nytkin

Runway Direction — Ostap Nytkin

How to build a show: light, music and the rhythm of the walk.

👤Ostap Nytkin

Draping on the Form — Lidiia Holkova

Sculpting with fabric: working volume directly on the form.

👤Lidiia Holkova

Pattern-making and Cut — Lidiia Holkova

From measurements to patterns: the base every garment stands on.

👤Lidiia Holkova

Runway Direction — Lidiia Holkova

How to build a show: light, music and the rhythm of the walk.

👤Lidiia Holkova

Draping on the Form — Bohdan Kravets

Sculpting with fabric: working volume directly on the form.

👤Bohdan Kravets

Pattern-making and Cut — Bohdan Kravets

From measurements to patterns: the base every garment stands on.

👤Bohdan Kravets

Runway Direction — Bohdan Kravets

How to build a show: light, music and the rhythm of the walk.

👤Bohdan Kravets

Draping on the Form — Solomiia Shovkova

Sculpting with fabric: working volume directly on the form.

👤Solomiia Shovkova

Pattern-making and Cut — Solomiia Shovkova

From measurements to patterns: the base every garment stands on.

👤Solomiia Shovkova

Runway Direction — Solomiia Shovkova

How to build a show: light, music and the rhythm of the walk.

👤Solomiia Shovkova

Draping on the Form — Orest Kuturie

Sculpting with fabric: working volume directly on the form.

👤Orest Kuturie

Pattern-making and Cut — Orest Kuturie

From measurements to patterns: the base every garment stands on.

👤Orest Kuturie

Runway Direction — Orest Kuturie

How to build a show: light, music and the rhythm of the walk.

👤Orest Kuturie

Draping on the Form — Valentyna Vysoka

Sculpting with fabric: working volume directly on the form.

👤Valentyna Vysoka

Pattern-making and Cut — Valentyna Vysoka

From measurements to patterns: the base every garment stands on.

👤Valentyna Vysoka

Runway Direction — Valentyna Vysoka

How to build a show: light, music and the rhythm of the walk.

👤Valentyna Vysoka

Draping on the Form — Oksana Karavanska

Sculpting with fabric: working volume directly on the form.

👤Oksana Karavanska

Pattern-making and Cut — Oksana Karavanska

From measurements to patterns: the base every garment stands on.

👤Oksana Karavanska

Runway Direction — Oksana Karavanska

How to build a show: light, music and the rhythm of the walk.

👤Oksana Karavanska